I received this beautiful gift yesterday morning. The combination of a brilliant sunrise reflecting off beautiful lenticular clouds … I couldn’t ask for a better way to start the day. It inspired me to get out and spend several hours walking around my yard taking remnants of the fall colors with my macro lens. It was a wonderful morning, full of discovery and exploration!
The soft early morning light highlighted this scene. The maple tree, grasses, and pine shrub appear very soft. I enhanced the softness in post processing. The image was exposed to highlight the soft leaves of the Japanese maple. The background was in shade which created a nice dark contrast to the light maple. The image warms me all over.
Continuing with Dave duChemin’s course, I found this raking light on a gazebo roof in the Seattle Japanese Garden. The sun had just broken over the ridge of the adjacent Washington Arboretum. The soft light raking across the roof lasted for just a few moments before the direct sunlight engulfed the roof. I just happened to be in the right spot at the right time.
This is what fall color is all about. I was able to photograph in the Washington Japanese Garden almost at its prime this fall. Colors were gorgeous everywhere. This particular scene caught my eye contrasting the brilliant reds and yellows,
I am taking an on-line course, “The Compelling Frame” by Dave duChemin. My focus for this excursion was to explore how different types of light created different effects. Here, the soft mid-morning light set the colors of these trees on fire. I am always searching and exploring ways to help me progress through my never-ending journey in photography. I strongly recommend Dave duChemin’s course.
This WWI soldier grotesque has intrigued me since I first attended the University of Washington in 1968. It is located on Smith Hall in the University of Washington Quadrangle. The figure commemorates WWI complete with the gas mask.
Over the years, I have photographed this grotesque multiple times. For some reason, my images have not turned out: out of focus, too light, too dark, or branches/leaves cluttering the image. During my last visit, I was determined to get an acceptable image. I was lucky that it was an overcast day. The soft light on the soldier was relatively even without deep shadows. I walked around to get a perspective that gave me the most eerie mood.
Today is an overcast dark day. I need a little brightness!
Yesterday I visited the Portland Japanese Gardens. Even though the day was overcast and a bit drizzly, the bright fall colors of this Japanese maple brightened the surroundings and captured my eye. The fall color was past its prime. But, there was still quite a bit of color patches. I thought the gardens were beautiful and can just imagine what they were like during their prime color. Next fall I will return during the peak.
P.S. I was practicing working with light and found this brilliant reflection.
A couple of weeks ago, I spent several hours walking around the University of Washington campus. I had not been there for about 15 years. How much things have changed. My old hangout, the EEB (Electrical Engineering Building) has been completely remodeled and enlarged with a large new section for Computer Science.. When I was there, Computer Science was just a small part of the EE Department. Now it is its own Department with over 1300 students.
During class breaks, I use to go to the Sylvan Theater and the Columns just behind the EEB. It was a wonderful peaceful place to sit and wonder about what the future would bring, The Sylvan Theater was just about the same as I recall it was 50 years ago. However, there were several students there with hard hats, surveying equipment, and tape measures. They were taking measurements to design a new courtyard to replace a good part of the grass. I feel a little sorrow to see my old memories change. But I guess it is for the best. Those memories are great ones!
I was exploring another area of the Heceta Lighthouse Park most of the morning. I had not come up with anything interesting. I felt a little “down” because nothing had “come to me”. Walking back to my car I saw a couple of our workshop participants shooting into the woods. I walked up and saw the beautiful filtered light they had observed. Usually I do not like to “copy” an image/view that another has discovered. But, I could not help myself this time.
Terry, this is your image. It just happened to appear in my camera as well. Thank you!
Part of what intrigues me with Black and White long exposure photography is the ability to really work with tones to create different moods. I shot this image underexposed to present a deep calm mood. In post-processing a dodged the sky slightly around the center sea stack and burned the corners of the frame slightly.