As I was walking around my yard, I was just looking for images to pop into my sight. I have photographed new growth on evergreens more times than I can imagine. However, I have never made an image on new growth taken from a head on perspective. A tip of new growth from a Colorado Blue Spruce just jumped out in front of my eyes. So I looked around more to try to get one that was the most symmetrical. My mind started to think what I could do with this from an abstract point of view. I plan to apply some creative alternatives in a future post.
Like my friend John Barclay (www.johnbarclayphotography.com) emphasizes. Do not force a photograph, let the image come to you. This one did …
These pieces of basalt (approximately 18 inches in length) caught my as I was exploring road cuts in the Yakima River Canyon. They seemed to be accented by an artists brush. Different patterns and different colors abounded in adjacent rocks. Since the rocks were adjacent and seem to be part of the same basalt flow, why are they so different in surface color and pattern. I need to do a little research on what factors determine the color and patterns.
Multiple Exposure: Dogwood Blooms and Asphalt Pavement
I got a little bored shooting in the garden. Nothing was “Popping” for me. So I thought I would have a little fun with multiple exposures. This image is a combination of a Pink Dogwood branch and a texture photo of a section of asphalt pavement. Magic happens.
To finish it off I decided to experiment a little with Topaz Impression. Here I used the Impasto I preset. Something a little different.
Fonthill Yellow Room Christmas Tree Impressionistic Detail
This image is an impressionistic perspective of yesterday’s post of the Yellow Room Christmas tree detail. I used Topaz Impressionism plug in to achieve the look.
This posting ends my series on the Fonthill Castle Christmas Decoration Exhibit. I hope you have enjoyed the series. I have enjoyed sharing it.
This probably be my last major project at Fonthill. I will be moving back to the Washington State next Spring. I have thoroughly enjoyed my experiences at Fonthill starting with a workshop led by my good friend John Barclay. I want to also thank Ed Reidell and the staff at Fonthill for the opportunities to help out. It was truly my pleasure. I enjoyed every moment of it.
Tomorrow starts a New Year. Every day is a gift to be enjoyed to the fullest.
Fallen cherry blossoms covered the ground beneath the trees. I was able to get a few images before the lawn mowing gang cut the grass and swept away the beautiful blooms. The past few weeks are typically my favorite weeks in the garden each year. For a few days we are lucky to have the flowering pears, flowering plum, flowering crab apple, and flowering cherries all in bloom at the same time. It is peaceful and beautiful in the garden.
The image below is a new perspective using multiple exposures while zooming out.
A different look is achieved by a long exposure and a zoom pan as seen below.
I was having a lot of fun creating multiple exposures and just experimenting with various artistic ways of processing images when I came up with this combination. I first started out taking individual images of fallen cherry blossoms. I then experimented with multiple exposures (5 exposures in this case). I then further experimented with different artistic presets in Topaz Impression (Georgia O’Keefe II) to arrive at this image.
For reference, below is the 5 image multiple exposure:
When things are working, keep the ball rolling. I was happy with the multiple exposure showed in my last post, so I thought I would try another as the wind was blowing the branches around. The multiple exposure feature of the 5D MkIII allowed me to see the combined image rather than waiting for post processing.
I was taking images of our flowering Bradford pear. I could not get anything that really caught my eye. Then the wind started blowing, the moving blossoms created a surrealistic image in my mind. How to capture this … why not try a multiple exposure. I took a 5 image multiple exposure slightly moving my camera, the wind took care of the rest.
Lesson Learned: Don’t give up. Work the image. Visualize and try something else.
Fuji X-T1, XF18-135mm @ 56mm, f/22, 6 secs, ISO 250
I rounded a corner and saw a massive wall of bamboo. It was just waiting there for someone to take a vertical pan. So I did…
Most of the time I use pans and moving multiple exposures to get my creative juices flowing. They break up moments where I become transfixed just searching for an image to capture rather than waiting for an image to come to me. This time the pan just appeared. I did not even take a normal image.
Fuji X-T1, XF18-135mm @ 110mm, f/8.0, 1/120 sec, ISO 400
Walking through parts of Henry P. Leu Gardens in Orlando was almost like walking through a tropical rain forest. Light filtering through the various palms provide multiple opportunities to capture interesting backlight images. Huge palm leaves were like huge fans waving in the gentle afternoon breeze. I love wandering along garden paths looking up, down, and everywhere. It was a wonderful way to spend an afternoon.