This post continues my self-assignment to look for contrasts. This image was taken from the same location as my previous post. It is the corner of the wall/ceiling cornice moulding. I saw the contrast of colors, shapes, lines and light/shadows. The foyer of this historic building is full of “eye candy”.
I recently attended a contemplative photography retreat at beautiful Hui Ho’olana on Moloka’i. The next several posts will be from the retreat.
Beauty was everywhere I looked. It presented itself along every path, around every corner. It seemed that it was just asking to be photographed.
Red, green and yellow
Spiked leaves shoot out like a star
Just asking to be noticed
I spent a couple of hours exploring an old boat graveyard in Charleston, Oregon, I was fascinated with all the chipped paint on the old boats from a by-gone era. They had seen a much better time. I can just imagine the stories these old boats could tell. I picked an image at random and played with it in Topaz Impression. I applied a Van Gogh painting style as an overlay. Today I needed a break from reality
Photography has taught me to keep my eyes open and be ready to see the unusual. Walking along a path in Yellowstone’s Valley of Fire, I gazed down into a bubbling hot spring and saw this face looking up at me. I stopped worked the scene and captured an image. On my computer, I softened the image and added a little impressionistic touch. Can you see the face?
Photography, vision, and imagination go hand in hand.
I recently visited the Hawaiian Botanical Gardens, near Hilo, Hawaii. My mission was to photograph creatively. I did not focus on the overall beauty of the environment around me. My focus was on separate scenes, small vignettes, and macro detail while using creative photographic techniques.
For this image, I took multiple exposures covering the range from the bright water and sky to the dark shadows. When I brought them together into an HDR, all the tonalities were captured. However, I lost the feeling of the dense tropical rainforest setting. So I decided to play a little with Topaz’s new ‘Studio” software. I used the watercolor effect to create this image.
I haven’t given up on the natural presentation of this image yet. It will require a lot of luminance masking with layers to get the natural image that I saw in my mind. I will do this at a future time when I am in a very patient mood.
The textures and shapes of this little stream against moss-covered rocks caught my eye. I blurred the flow of the water to capture the soft feeling of this little stream. Color was not important, in fact, it detracted from the feeling I had. Converting to black and white made the image for me.