Tag Archives: Death Valley

Death Valley: Follow the Leader

131125_Mesquite Dunes by Karl G. Graf. Canon 7D, EF 70-200mm f2.8L IS with 1.4X extender @ 110mm, f/11, 1/60 sec, ISO 200

On one of our workshop “sleep-in days”,  a few of us went out to capture the early morning sunrise at Mesquite Dunes with Chuck Kimmerle.  Chuck got us set up to catch the first light then took off on his own to explore.  You can see Chuck in the upper left of this image.

When working with the “Pros”, I like to just watch and see what catches their eye as they explore an area.  So I took this opportunity to follow Chuck’s foot steps across the sand and see where he stopped and milled around or set up his tripod.  It was a good learning experience.  At some of his stops, I saw nothing that caught my eye.  At other stops, I looked around and saw a WOW image that I would have easily overlooked.  Also, I stopped at many places where he did not stop to capture what I thought was a great image.  It was a great learning exercise and a lot of fun too!

This is one of my few photos where I captured an overall image of the surrounding area.  For most of my images, I tried to capture the details of the light and shadows as they passed over the dunes.  To do this I added a 1.4X extender to my 70-200mm lens and used my Canon 7D cropped sensor camera.  Because we were in a harsh environment in the sand, I did not dare change lenses.  Next time I will make the hike with a normal lens to capture the overall beauty of the dunes against the purple mountains.

 

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Death Valley: Sunrise ON Zabriskie Point

131124_Zabriskie Point by Karl G. Graf. Canon 7D, EF 70-200mm f2.8 IS @ 125mm, f/16, 1/90 sec, ISO 400

Just a few moments after I took the image on my previous post the sun popped over the ridge and lit up Zabriskie Point.  The point seemed like it was on fire.  The subtle tonalities were severely washed out.  I had to add a lot of structure in NIK Viveza and tonal contrast in NIK ColorEfex Pro to bring out the contrasts.

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Death Valley: Sunrise at Zabriskie Point

131123_Zabriskie Point by Karl G. Graf. Canon 7D, EF 70-200mm f2.8 IS @ 200mm, f/11, 1/20 sec, ISO 400

Sunrise had just broken on the mountains on the far side of Death Valley.  Zabriskie Point was still in the shadows, but there was enough light to bring out the tonal differences in the ridges and valleys leading down from the point.

 

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Death Valley: Racetrack

131122_DV_Racetrack by Karl Graf. Canon 5D MkIII, EF 24-70mm f2.8L @ 34mm, f/11, 1/100 sec, ISO 400

Last weekend we visited family in Los Angeles.  We started talking about photographic adventures and Death Valley came up.  I thought I would go back through my images from earlier this year and post a few more from my trip to Death Valley with John Barclay and Chuck Kimmerle.

This image is from the “infamous” racetrack basin.  Nobody knows exactly how these rocks move across the basin.  Which direction did this 18-inch rock come from???

Anyway, it was an awe-inspiring site to visit and explore.  Staying with the Black and White theme of the workshop, I focused on the contrast between the elements within the frame.  I darkened the tracks slightly to help pop them out from the flats.

 

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Working a Subject #1

130430_EurekaMines_Outhouse_Stoop by Karl Graf. Now that my curiosity was triggered, I moved in for a closer look at the outhouse shown in my last blog.  I like to work an image from different perspectives.  My eye is attracted to details.  They naturally went to these weather and wear beaten boards which made up the stoop leading inside.

I used selective treatments of brightness/contrast layers in Photoshop to highlight and darken the boards and background to provide the contrast that I recall when I took the image.  Thanks to Chuck Kimmerle for the tips.

 

 

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Seeing New Things

Attached is a blog entry from John Barclay which addresses seeing new things that you would not have shot before.

johnbarclayphotography.com | | Page 3.

By itself, the structure did not capture my interest.  However when linked with other “waste” materials, it perked my curiosity.  Here is my version.  Just a different perspective.

130428_EurekaMines_Outhouse by Karl Graf.

My next couple of posts will include additional details of the outhouse as I worked the image.

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In the Distance

130330_In the Distance by Karl G. Graf.

While walking back to the car after a long and productive day, I glanced up and saw the silhouette of multiple mountain ridges.  A great way to end a great day.

As March is ending, this will be my last post on Death Valley … at least for a little while.  The workshop gave me a much better understanding on what it takes to “see in Black and White”.  John Barclay and Dan Sniffen put together a great workshop.  Chuck Kimmerle provided a view into B&W photography that can’t be duplicated.  The workshop participants included many great photographers on their own merits.  My car pool mates, Arthur Ransome and Chuck Robinson are especially talented.  I learned much from them as well.  Thanks to all, leaders and participants, for making this a great workshop and experience!

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V’s

130329_V's_BW by Karl G. Graf. I was looking for lines and shapes at Zabriskie Point.  In the opposite direction of the point and in the shadows, I saw these repetitive V’s created by multiple ridges coming together.  The sun had just started to hit the top of the ridge line on the right side of the image.  The balance of the ridges were in a shadow from another ridge in the background.  The overall image was very flat. Using processing techniques taught by Chuck Kimmerle in our workshop, I was able to pull out the shadows within the overall shadow.  Thanks Chuck!

 

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Look Around

130328_Sagebrush by Karl Graf. I had just finished shooting a wide panorama of a range of interesting rock outcroppings.  It was a “ho-hum” image of what was going through my mind.  Right before I left, I looked down at my feet and saw this interesting remains of a struggling sagebrush.  It reminds me of a continuous theme that I need to embed in my approach:  Look around and let the images come to me.

 

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