Category Archives: Landscape Photography

A Path in the Woods – 2

131212_PV_Path in the Woods 3 by © 2013 Karl Graf. Canon 5D MKIII, EF24-70mm f/2.8L @ 68mm, f/11, 1/200 sec, ISO 800

This image is of the abstract path posted yesterday.  On its own, the path was an interesting image.  The sun broke through a gap in the trees at the visual end of the path creating a tunnel effect.  I used NIK Silver Efex Pro to convert to Black and White,  I then added Color Efex Pro’s “Darken/Lighten Center” to further accentuate the light coming through the end of the path.

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A Path in the Woods – 1

131211_PV_Path Abstract 2 by © 2013 Karl Graf. Canon 5D MKIII, EF24-70mm f/2.8L @70mm, f/22, 1/10 sec., ISO 200

Yesterday we had our second snowfall of the year.  Today was a bright and crisp winter day.  A friend and I went out to Peace Valley Park to take a casual “walk in the woods” with our cameras.  There was an image just waiting to be taken from every point we stopped.  We didn’t get very far on our walk because of numerous photo stops along the way.  It was a beautiful way to spend a morning.

It was a dreamy setting, so I thought I would add to the feeling by creating an abstract of a “Path in the Woods” with a vertical pan.  The pan blended the shadows and the highlights of the morning sun along the path creating a bright abstract.

Back at home I worked with the image to create an opposite illusion of a dark gloomy path leading to who knows where.

131211_PV_Path Abstract 1 by © 2013 Karl Graf.

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Where Did the Sun Go???

131210_Sunflower in Snow by Karl Graf. Canon 5D MKIII, EF24-70mm f/2.8L @ 70mm, f/8.0, 1/80 sec, ISO 1600

This spent sunflower hung its head over when it couldn’t see the sun.  The ice crystals added to the “over the hill” state of the flower.  Even under the weight of the snow and ice, the stalk remained strong.

I normally do not use the presets in Silver Efex Pro, but this one (film noir #1) seemed to highlight the image I visualized.

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First Snow

131209_Leaf in Snow by Karl Graf. Canon 5D MKIII with EF24-70mm f2.8L @ 62mm, f/5.6, 1/125 sec. ISO 800

Fall color is gone.  We just had our first snow fall, quickly followed by freezing rain.  I got up early to capture the moment before it melted.  The fresh snow was covered by a thin layer of ice leaving interesting ice encased shapes.  To capture the contrast of the dark leaf against the bright snow, I over exposed by +2 stops.  Treatment in B&W captured the dreariness of the morning.

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Fall Color: Last Bloom

131207_Fall_Last Bloom by Karl Graf. Canon 5D MKIII with EF24-70mm f/2.8L @ 66mm, f/5.6, 1/800 sec, ISO 1600

Looking down on a brilliant bed of fallen leaves, I noticed this single geranium bloom soaking up the early morning sun rays.  It stood out stretching its neck out to show off its last hurrah.  The rest of the plant had withered away preparing for the winter ahead.  I will have to wait until the end of May to catch its first bloom of the new year.

 

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Fall Color: Leaves in the Grass

131206_Fall_Leaves in the Grass by Karl Graf. Canon 5D MKIII with EF24-70mm f/2.8L @ 63mm, f/8.0, 1/400 sec, ISO 1600

The color of fall in Eastern Pennsylvania has all passed.  This entry is the start of a series of posts of an early November morning shoot in our back yard capturing the last of the fall color.  The early morning sun caught these fallen leaves just right to pop them out from the frosted grass.  Simple things tend to catch my eye.  I constantly look down as I walk through the landscape.

On this shoot, I was testing out the low noise performance of the 5D.  There was  a steady breeze which required me to use a fast shutter speed.  I also normally use a tripod where ever I go.  This day I wanted to be “free” and capture images quickly as I saw them.  With a high ISO of 1600, the 5D performed exceptionally well and allowed me to capture the images that I was targeting.

 

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Death Valley: Titus Canyon – III

131205_DV_Titus Canyon_III by Karl Graf. Canon 5D MKIII with EF24-70mm f/2.8L @ 45mm, f/8.0, 0.3 sec, ISO 400

Black and white granite markings laced with thin red lines decorate the narrow canyon walls at the bottom of Titus Canyon.  The formations range from random lines, to indian pattern, to letters.  Since I am the KGG the III, this pattern caught my eye right away.  To bring out the contrast, the rocks were spritzed with water.  It was amusing watching our workshop instructors racing back and forth between the students spritzing the walls with water bottles.  I forgot which gave out first, the light, the water, or our instructors.

 

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Death Valley: Charcoal Kilns

131204_DV_Charcol Kilns by Karl Graf. Canon 5D MKIII with EOS 24-70mm f/2.8L @ 70mm, f/22, 1/15 sec., ISO 400

These charcoal kilns seem to be in the middle of nowhere in Wildrose Pass.  They were built by Swiss engineers in the the 1870’s to feed the smelters of Modoc Mine about 25 miles away.  This was the closest source of wood.

The most difficult part of taking this image was to avoid the row of other photographers trying to take the same image.  See below.

131204_DV_Charcol Kilns_2 by Karl Graf.

 

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Death Valley: Blurred Past

131202_DV_Car by Karl G. Graf.

Canon 7D, EF 70-200mm f2.8L IS @ 100mm, f/11, 1/90 sec, ISO 200

Throughout Death Valley, there are artifacts of the blurred history of people trying to work the land.  This photo was taken at an abandoned copper mine and home site.  What is the story behind this site?  How hard life must have been?  What kind of people lived here in the extreme heat of the summer and the extreme cold in the winter?  What did they get from all their toil?  What was the event or series of events that triggered them to leave?  I am sure the history behind this site is a whole story by itself.

To help the image of a blurred history, I added a vignette blur on the edges.

 

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