Our historic irrigation flume is no more. It saddens my heart. This week a construction crew started tearing down the flume to convert our irrigation source to a buried pipeline. One of the first things that attracted me to this location was the surrounding ridge and the historic irrigation flume background. Over the six years that I have lived here, there is hardly a day that goes by that I do not gaze upon the hill and flume. I start each day in my office, writing in my journal. I always turn to look out my window over the Heatherwood landscape and up to the flume and ridge. From our living room we look out over the patio again to the ridge and the flume above.
As we designed and developed our Heatherwood landscape, we created multiple view windows that framed the flume and ridge. Several of our garden “sitting rooms” faced the hills and flume. It was a wonderful “borrowed” background for Heatherwood.
Now the above portion of the flume is gone. We were lucky enough to talk the contractor into salvaging a small portion of the flume and bringing it down to our property. We will carefully place it and build a special garden around it. It will be a little remembrance of the area’s history and the special image of the wonderful background that use to be.
This interesting piece of architecture captured my imagination when I started my walk along New York’s Highline. I had no idea of the background of this amazing structure, so a little homework was needed. The active sculpture is 16 stories high comprised of 154 staircases, 80 landings, and 2500 steps. The path to the top is a little over a mile. The creator, Thomas Heatherwick, said that his intent was to create a focal point where people can enjoy new perspectives of the city and one another from different heights, angles and vantage points.
At its opening dedication in 2109, the Vessel was deemed to be safe, able to carry 1,000 people at a time. However, since its opening four people have committed suicide. In August of this year, the 4th suicide occurred. The Vessel is now indefinitely closed.
Do you believe this monster really moves? The Shed is a multi-cultural, multi discipline center for the arts in New York City. It provides a venue for established and emerging artists to show and perform their creative endeavors. The image above is a face of a movable shell that doubles the space of the facility for large displays and performances.
Large wheels, I guess the diameter to be about 8 feet, move the Shed’s outer shell. It takes 5 minutes to fully move the shell in or out. See image below.
“The Shed’s Wheels”
When I first saw this structure, I had no idea what it was. I just thought it was a cool piece of architecture. When I had the chance, I did a little homework. It is an amazing application of a creative solution. To add a little creativity of my own, I created an abstract of the lines and reflections of the shell. Next time we are in New York, I plan to venture inside this amazing facility.
We were hot and tired after a morning photo excursion during a Palouse Photography Workshop with John Barclay. Driving along headed back to the hotel for a break and maybe a nap, I saw this lone white barn. We glanced back as we zipped bye the barn. “Should I stop or should we just go back to the hotel.” On I went, thinking, “I should have stopped, I should have stopped!” I dropped my ride partner off at the hotel and decided, I am going back. I am glad I did.
Lesson Learned: When I see something, STOP! It may or may not be worth creating an image, but at least the memory will remain.
“Double Weeping Cherry and Naches-Selah Irrigation Flume” Heatherwood Spring
As I look over our Double Weeping Cherry, I enjoy its beauty against the surrounding hills and the old Naches-Selah irrigation flume. But my heart also saddens. We have received information that the flume will be replaced with a pressurized pipeline this winter if the funding is approved. One of the first things that attracted me to this property was the beautiful hillside with the historic structure hugging its side. The need for efficiency and cost prevails and the historic flume built in the 1890’s will see its last use through this spring and summer. I will do my best to record this last remaining section of flume with my camera to remind me of a bygone era.
Walking around the Capitol, one receives different beautiful vignettes. These two were taken five years apart, about 20 feet from each other. Maybe this summer we will get the chance to return and get another perspective from this spot.
The siege of our Capitol yesterday by the Trump-incited mob is a travesty of respect for our democracy. For me, it will never be forgotten.
I reflect on more sane times like this image taken on a warm summer late afternoon around a decade ago. I have been lucky to have had the opportunity to be able to freely walk around the various sections and chambers of the Capitol back in the Reagan administration. It made me proud to watch open Congressional sessions. I gained an insight and appreciation of our Democracy in progress. Those opportunities are no longer available to the general public.
Many have not had the opportunity to visit the Capitol. My aunt, who was a retired school teacher, saw the Capitol for her first time in her late years. Tears came to her eyes, and she exclaimed that every young student should have the opportunity to visit the Capitol to understand how our nation is governed.
For the next several posts, I will share images of the experiences I have had working in and visiting our Capitol.
While the interior of the little “Painted Church” is lavishly colorful, the exterior is a simple white structure. I could feel the history surrounding the church through it’s old, but well maintained, grave yard and gardens. It is a beautiful and peaceful site on the gentle sloping sides of Moana Loa.
The “Painted Church” is a must see little gem in the heart of Hawaii’s Kona coffee plantation area in South Kona. The church is on a peaceful hillside overlooking the coastline below. It was built by Belgian Catholic missionary Father John Velghe from 1899 – 1902. Father Velghe painted scenes of biblical stories along the church interior walls. He used the scenes to deliver his messages since most of his native Hawaiian parishioners could not read.
A history of the church can be found at the following link: https://keolamagazine.com/art/painted-church/