Fuji X-T1, XF18-135mm @ 135mm, f/22, 14 sec, ISO 200
I keep going back to our Red Twig Dogwoods to get a little winter color. This is a vertical swipe taken at 1/4 second. Back at my computer, I started playing around with Topaz’s new Impression plug-in. This is the Impasto II preset. There is a painter somewhere inside this engineer’s mind.
This post is a milestone. I have entered a post every day for this month, first time ever. Now to get ready for the New Year!
Fuji X-T1, EF18-55mm @ 55mm, f/11, 1/10 second, ISO 400
I am still in the Christmas mood. This image is just an effort to work with composition. The subject is the center stamens and pistils of the poinsettia flower. The plant leaves framed the subject while the background ornaments added interest without distracting from the stamens and pistils. I cropped the leaves to eliminated any distracting edges. Using the “mirror lock-up” function might have improved the sharpness of the subject. Always learning …
Fuji XT-1, XF18-55mm @ 34mm, f/22, 1/3 sec, ISO 400
The bright light from the ceiling skylight made capturing this photo taken with a small aperture possible. People were everywhere. Patience paid off again while I waited for the scene to clear. I waited over 10 minutes to catch this break. If I would have had a long exposure there would have been people entering the scene. Lessons learned: do not photograph Longwood on a Friday.
Fuji X-T1, XF18-55mm @ 55mm, f/8.0, 1/250 sec, ISO 400
Happy Thanksgiving to all! We have so very much to be thankful for including this beautiful fall day a couple of weeks ago. Each day is a gift to be lived and enjoyed to its fullest.
This was taken in our back yard in the early morning as the sun was breaking the horizon and shining on a little fresh frost on the ground. I liked how the sparkle from the sunlit frost made small globes of light. I then walked around to get something interesting to put in front. This backlit maple was just what I was looking for. It was a moment to be thankful for.
Fuji X-T1, XF18-55mm @ 55mm, f/4.0, 1/1200 sec, ISO 400
I could not let this iconic sculpture in downtown Philly pass by. It was Red, so I shot it of course. To further highlight the red, I converted to B&W with NIK Silver Efex Pro and used selective color.
I am posting this today for my wonderful wife on her birthday!
We have had a downpour of rain for the past two days. One good thing about rain is raindrops. So, this mornings shoot focus was to try to capture them. The day was cloudy so I could not capture the sunlight starbursts or the bokeh. It was still a nice morning walk and shoot in the garden. It was a gift.
Fuji X-T1, XF55-200mm @ 50.5mm, f/11, 1/340 sec, ISO 200
The pink of the Red Bud always attracts me. I used the emerging buds to frame our white garden shed. I used NIK software to add additional blur and defocus the foreground while leaving the shed “as shot”. Typically I focus on the details of individual flowers or plants. This and my post from yesterday, I focused on using spring color as a foreground or background to frame and bring focus to another object.
Fuji X-T1, XF55-200mm @ 55mm, f/5.0, 1/400 sec, ISO 200
This post will start a series on Spring as it comes into our garden. This image is a composite of two images. The first is a straight image of the garden bench against a red Weigela. I then overlaid a C-blur of the Weigela on top and adjusted the opacity to my taste. I can never pass by an opportunity to capture red!
Spring has come slow to SE Pennsylvania this year. The plants and trees are now rushing into bloom before we can catch up cleaning the yard. Each new day is a gift that we very much appreciate. So here’s to 27 April 2014 … it is a beautiful day!
Canon 5D Mark III, EF24-70mm f/2.8L @ 70mm, f/5.6, 1/640 sec, ISO 400
In our back yard field of white, the red of the coral bark maple stands against the bleakness of a cloudy winter day. I walked around the tree multiple times trying to get the right balance for the image. I found this foreground “Y” (or “V”) framing two other “Ys” I added a touch of graduated fog in NIK Color EFEX Pro to focus on the foreground “Y”.