Category Archives: The Grand Landscape

The overview of the natural landscape.

In the Distance

130330_In the Distance by Karl G. Graf.

While walking back to the car after a long and productive day, I glanced up and saw the silhouette of multiple mountain ridges.  A great way to end a great day.

As March is ending, this will be my last post on Death Valley … at least for a little while.  The workshop gave me a much better understanding on what it takes to “see in Black and White”.  John Barclay and Dan Sniffen put together a great workshop.  Chuck Kimmerle provided a view into B&W photography that can’t be duplicated.  The workshop participants included many great photographers on their own merits.  My car pool mates, Arthur Ransome and Chuck Robinson are especially talented.  I learned much from them as well.  Thanks to all, leaders and participants, for making this a great workshop and experience!

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Hold Your Breath, You are 282 Feet Below Sea Level

130323_Badwater Basin by Karl Graf.

This was my original vision of Death Valley, pretty desolate.  Badwater Basin, at 282 feet below Sea Level, it is pretty bleak.  This image was taken about a mile in from the road.  The salt/sand crust was pretty well broken up.  The miles of salt flats gave me a very chilling feeling (even though it was over 80 degrees).  Can you imagine what the first explorers thought when they came across this bleak landscape.

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Seen Two Different Ways

130321_Titus Canyon by Karl Graf.

I saw this image of Titus Canyon in two different ways.  Our workshop group was photographing details on the canyon granite walls.  I turned back around and saw the sun highlighting the colors on the mountain face above.  Cool shadows in the canyon provided a sharp contrast.  The color highlights are what caught my eye.  But this was a black and white photography workshop.  Throughout the workshop, Chuck Kimmerle had been emphasizing seeing and thinking in black and white as we take our shots.  I tried to put on a “B&W filter” over my eyes.  I started to see greater contrast between the sky, the highlighted mountain face, and two levels of shadow contrast along the canyon walls.  Exploring further, I began to see the subtle (and not so subtle) tonal contrasts in the canyon walls as well as the mountain face.  I locked the scene in my mind.

Reviewing my images back at home, I picked this image as one of my favorites.  I processed it in B&W and was able to capture the B&W image that I had previously set in my mind. The following is the B&W version.

130321_Titus Canyon-BW by Karl Graf.

These images are not creative.  However, for me they represent a step in the learning process of seeing and thinking in B&W.

 

 

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Artist’s Pallet

130320_Artist's Pallet by Karl G. Graf. The color in this section of mountains truly looks like an “artist’s pallet”.  The different mineral colors exposed by geological upheavals and erosion made this scene look so out of place against the soft browns of the surrounding hills.  Patches of color were everywhere.  Some images are just not to be made into black and white.

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Zabriskie Point

130310_ZabriskiePt_BW by Karl G. Graf.

Zabriskie Point radiated brilliantly as the sun hit the point.  It lasted for just seconds before the rock features became washed out and the point became flat against the background.  The basin below in shadows is Death Valley.

In the B&W conversion, I focused on separating the different tonalities in the face of Zabriskie while keeping it’s brightness separated from the valley and mountains in the background.

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Sunrise at Saltwater Flats

 

130308_DV_Saltwater Flats Sunrise

This is my first post since Apple stopped their web hosting last June. Thanks to Hans Scheunemann for prodding me to continue my photographic adventures. I met Hans on a trip up Mauna Kea on the big island of Hawaii 2 years ago. Since then we have been periodically keeping in touch on our photographic adventures.

This image is taken on the saltwater flats of Death Valley between Furnace Creek and Stovepipe Wells. I recently took a great photo workshop with John Barclay (http://johnbarclayphotography.com), Dan Sniffen (http://www.dansniffenphoto,com), and Chuck Kimmerle (http://www.chuckkimmerle.com) in Death Valley, CA. The workshop focus was on black and white photography. As you can tell from this first image, I am not quite seeing in B&W yet. More to come later.

Over the next several weeks I will be adding content and revising the content of this website.  Have patience and have a laugh or two as I play around to build this site.  And again, thanks Hans for checking up on what I have been doing.

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