Tag Archives: Mountains

Badlands National Park

160604_Badlands 2Fuji X-T1, EF 18-135mm @ 31mm, f/16, 1/110 sec, ISO 800

I walked down into the basin of the Badlands and looked up to see the towering, eroded hills behind me.  I processed this image to separate the foreground from the background by adding a touch of NIK’s Color EFEX Pro graduated fog to the background.  I should have shot this image at a wider aperture to produce a natural effect.  Lesson Learned:  Take my time, work the image from different settings and exposures to create the effects that bring out specific elements of the subject.

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Premonitions of a Beautiful Day

150822_Mt Baker Sunrise by Karl Graf. Canon 7D MkII, EF100-400mm @ 117mm, f/5.6, 1/1000 sec, ISO 400

It was a dark and dreary morning at the Anacortes ferry dock.  The sun broke through the clouds to display its golden rays behind Mt. Baker.  Even though it was raining at the dock, I felt that it was going to be a beautiful day.  By the time we reached Friday Harbor, the clouds had burned off and the sky was bright blue.  It was a beautiful day.  Each day is a gift!!!

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Turn Around

130818_SmithRocks_Clouds by Karl G. Graf.

Just turn around and see a whole different world.  The last 3 posts looking West showed peaceful images without a cloud in the sky.  Looking East was a totally different story.  These clouds were just flying across the sky along the eastern horizon.  I was intrigued by the wispiness of the clouds.  There must have been quite a high jet stream up there.  B&W provided the sharp contrast between the clouds and the bright blue sky.

 

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Between

130818_SmithRocks_B&W by Karl G. Graf.

These steep vertical spires of Smith Rocks separated the view between the images on my previous two posts.  Looking at these massive rocks jutting out of the landscape makes me realize just how amazing Nature is.  I attempted to use black and white to emphasize the drama of these spires.  An early morning sunrise will make this image spectacular.  I can’t wait to go back!

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Framed

130816_SmithRocks_BrokenTop by Karl G. Graf.

We visited Smith Rocks (near Bend, OR) with a couple of great friends in early July at mid-day.  Not the best time for great breath-taking images.  So I focused on finding good compositions that I can come back to during another trip, at sunrise.  This image frames Broken Top between two spires of Smith Rocks.  The round boulder in the middle provides a little interest.  I removed houses that were located along the tree-lined ridge in Photoshop.  If you look close you can still see a few remnants.

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In the Distance

130330_In the Distance by Karl G. Graf.

While walking back to the car after a long and productive day, I glanced up and saw the silhouette of multiple mountain ridges.  A great way to end a great day.

As March is ending, this will be my last post on Death Valley … at least for a little while.  The workshop gave me a much better understanding on what it takes to “see in Black and White”.  John Barclay and Dan Sniffen put together a great workshop.  Chuck Kimmerle provided a view into B&W photography that can’t be duplicated.  The workshop participants included many great photographers on their own merits.  My car pool mates, Arthur Ransome and Chuck Robinson are especially talented.  I learned much from them as well.  Thanks to all, leaders and participants, for making this a great workshop and experience!

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Seen Two Different Ways

130321_Titus Canyon by Karl Graf.

I saw this image of Titus Canyon in two different ways.  Our workshop group was photographing details on the canyon granite walls.  I turned back around and saw the sun highlighting the colors on the mountain face above.  Cool shadows in the canyon provided a sharp contrast.  The color highlights are what caught my eye.  But this was a black and white photography workshop.  Throughout the workshop, Chuck Kimmerle had been emphasizing seeing and thinking in black and white as we take our shots.  I tried to put on a “B&W filter” over my eyes.  I started to see greater contrast between the sky, the highlighted mountain face, and two levels of shadow contrast along the canyon walls.  Exploring further, I began to see the subtle (and not so subtle) tonal contrasts in the canyon walls as well as the mountain face.  I locked the scene in my mind.

Reviewing my images back at home, I picked this image as one of my favorites.  I processed it in B&W and was able to capture the B&W image that I had previously set in my mind. The following is the B&W version.

130321_Titus Canyon-BW by Karl Graf.

These images are not creative.  However, for me they represent a step in the learning process of seeing and thinking in B&W.

 

 

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Artist’s Pallet

130320_Artist's Pallet by Karl G. Graf. The color in this section of mountains truly looks like an “artist’s pallet”.  The different mineral colors exposed by geological upheavals and erosion made this scene look so out of place against the soft browns of the surrounding hills.  Patches of color were everywhere.  Some images are just not to be made into black and white.

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