Tag Archives: Landscape

Death Valley: Mesquite Dunes – First Light

131126_Mesquite Dunes - First Light by Karl G. Graf. Canon 7D, EF 70-200mm f2.8L IS with 1.4X extender @ 280mm, f/22, 1/2 sec, ISO 200

First light across the dunes was a dramatic sight.  The dune directly in front of me caught the brilliant first light of day, while the dune behind was still in shadow.  This moment lasted only a few seconds.  If you look hard at the background dune, you can see traces of sunlight on the tops of the ripples.  A moment later everything was in bright sunlight.  I was lucky to be set up and just waiting for the sun to break.

I experimented with this image to create a B&W version.  I felt that the bright area was just too much in the B&W version.  I like the warm tan sand contrasted against the grey background shadow in color version.  Below is the B&W version.  Choose for yourself.

131126_Mesquite Dunes - First Light B&W by Karl G. Graf.

Related Images:

Turn Around

130818_SmithRocks_Clouds by Karl G. Graf.

Just turn around and see a whole different world.  The last 3 posts looking West showed peaceful images without a cloud in the sky.  Looking East was a totally different story.  These clouds were just flying across the sky along the eastern horizon.  I was intrigued by the wispiness of the clouds.  There must have been quite a high jet stream up there.  B&W provided the sharp contrast between the clouds and the bright blue sky.

 

Related Images:

Between

130818_SmithRocks_B&W by Karl G. Graf.

These steep vertical spires of Smith Rocks separated the view between the images on my previous two posts.  Looking at these massive rocks jutting out of the landscape makes me realize just how amazing Nature is.  I attempted to use black and white to emphasize the drama of these spires.  An early morning sunrise will make this image spectacular.  I can’t wait to go back!

Related Images:

Hold Your Breath, You are 282 Feet Below Sea Level

130323_Badwater Basin by Karl Graf.

This was my original vision of Death Valley, pretty desolate.  Badwater Basin, at 282 feet below Sea Level, it is pretty bleak.  This image was taken about a mile in from the road.  The salt/sand crust was pretty well broken up.  The miles of salt flats gave me a very chilling feeling (even though it was over 80 degrees).  Can you imagine what the first explorers thought when they came across this bleak landscape.

Related Images:

Seen Two Different Ways

130321_Titus Canyon by Karl Graf.

I saw this image of Titus Canyon in two different ways.  Our workshop group was photographing details on the canyon granite walls.  I turned back around and saw the sun highlighting the colors on the mountain face above.  Cool shadows in the canyon provided a sharp contrast.  The color highlights are what caught my eye.  But this was a black and white photography workshop.  Throughout the workshop, Chuck Kimmerle had been emphasizing seeing and thinking in black and white as we take our shots.  I tried to put on a “B&W filter” over my eyes.  I started to see greater contrast between the sky, the highlighted mountain face, and two levels of shadow contrast along the canyon walls.  Exploring further, I began to see the subtle (and not so subtle) tonal contrasts in the canyon walls as well as the mountain face.  I locked the scene in my mind.

Reviewing my images back at home, I picked this image as one of my favorites.  I processed it in B&W and was able to capture the B&W image that I had previously set in my mind. The following is the B&W version.

130321_Titus Canyon-BW by Karl Graf.

These images are not creative.  However, for me they represent a step in the learning process of seeing and thinking in B&W.

 

 

Related Images:

Artist’s Pallet

130320_Artist's Pallet by Karl G. Graf. The color in this section of mountains truly looks like an “artist’s pallet”.  The different mineral colors exposed by geological upheavals and erosion made this scene look so out of place against the soft browns of the surrounding hills.  Patches of color were everywhere.  Some images are just not to be made into black and white.

Related Images:

Mesquite Dunes #2

130318_MesquiteDunes2 by Karl G. Graf. This was my second try in the Mesquite Dunes.  A few of us got up early to catch the sunrise highlight the dunes while the others caught up on their sleep.  As the sun broke the horizon it cast soft shadows and warm highlights.  The contrast was very subtle.  This morning was a learning experience for me.  My objective was to see the contrasting shapes and lines, not necessarily capture that one great image.  Chuck Kimmerle gave us a few very good starting point insights, then took off over the dunes.  I followed his footsteps across the valleys and ridges, watching were he stopped shuffled around, put his tripod down (or not), then racing off to the next stop.  At these stopping points, I took my time looking around trying to pick out something that peaked my interest. Sometimes an image appeared, sometimes it didn’t.  It was a great morning just to be out and enjoy a wonderful landscape.

 

 

Related Images:

Mesquite Dunes

130316_DV_MesquiteDunes_1a

Where to start … the grand vista?, shapes?, colors?, details?, shadows? … too many choices!!!  As soon as I walked into Mesquite Dunes, my eyes and mind shot around in every direction.  There were just too many opportunities and a very narrow window to capture the light of the setting sun.  I quickly dropped behind our workshop group as I saw one thing after another.  I went after it all!  When I reviewed my images, I was pretty disappointed.  I ended up with a lot of “snapshots”.  Lesson learned here … don’t be greedy, let the image come to me.  Be patient, let my eyes and mind wander … the image will come.

This was one of the few images that did “call out”  I saw it in the distance and walked around several minutes before I found a perspective that “clicked” for me.  The curve shadow and bright highlights on the ridge separated the dune from the distant mountains.

 

Related Images: