Category Archives: B&W Photography

Window “Shooting”

130412_NYC_Shoes#1 by Karl G. Graf.

Many, many times I see something interesting, then just walk by.  Afterwards I kick myself for not taking the time to explore and shoot.  Walking down a street in NYC, my good friend Doc and I spotted these fashion shoes and stopped in our tracks.  Our wives patiently waited as we took photographs.  Something is wrong with this picture … the usual scenario is the reverse.

Even though the background was in red, I visualized this in B&W when I took the image.  I worked the image to try to capture the American Flag reflecting in the store window.

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V’s

130329_V's_BW by Karl G. Graf. I was looking for lines and shapes at Zabriskie Point.  In the opposite direction of the point and in the shadows, I saw these repetitive V’s created by multiple ridges coming together.  The sun had just started to hit the top of the ridge line on the right side of the image.  The balance of the ridges were in a shadow from another ridge in the background.  The overall image was very flat. Using processing techniques taught by Chuck Kimmerle in our workshop, I was able to pull out the shadows within the overall shadow.  Thanks Chuck!

 

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Look Around

130328_Sagebrush by Karl Graf. I had just finished shooting a wide panorama of a range of interesting rock outcroppings.  It was a “ho-hum” image of what was going through my mind.  Right before I left, I looked down at my feet and saw this interesting remains of a struggling sagebrush.  It reminds me of a continuous theme that I need to embed in my approach:  Look around and let the images come to me.

 

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Hold Your Breath, You are 282 Feet Below Sea Level

130323_Badwater Basin by Karl Graf.

This was my original vision of Death Valley, pretty desolate.  Badwater Basin, at 282 feet below Sea Level, it is pretty bleak.  This image was taken about a mile in from the road.  The salt/sand crust was pretty well broken up.  The miles of salt flats gave me a very chilling feeling (even though it was over 80 degrees).  Can you imagine what the first explorers thought when they came across this bleak landscape.

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I Didn’t See That – A Guest Post from Chuck Kimmerle

I have been following Chuck Kimmerle’s work for several years after I saw it in LensWork Magazine.  Chuck joined John Barclay and Dan Sniffen as a guest instructor for the Death Valley workshop that I have currently been posting.  He discussed his thoughts and feelings on Black and White photography,  He emphasized creativity and how it reflects on evoking feelings and emotions.  Below is Chuck’s Guest Post on John Barclay’s Blog. (Click on the Link)

I Didn’t See That – A Guest Post from Chuck Kimmerle.

Chuck – thanks for the great insights and help!

John and Dan – thanks for a great workshop!

 

 

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Seen Two Different Ways

130321_Titus Canyon by Karl Graf.

I saw this image of Titus Canyon in two different ways.  Our workshop group was photographing details on the canyon granite walls.  I turned back around and saw the sun highlighting the colors on the mountain face above.  Cool shadows in the canyon provided a sharp contrast.  The color highlights are what caught my eye.  But this was a black and white photography workshop.  Throughout the workshop, Chuck Kimmerle had been emphasizing seeing and thinking in black and white as we take our shots.  I tried to put on a “B&W filter” over my eyes.  I started to see greater contrast between the sky, the highlighted mountain face, and two levels of shadow contrast along the canyon walls.  Exploring further, I began to see the subtle (and not so subtle) tonal contrasts in the canyon walls as well as the mountain face.  I locked the scene in my mind.

Reviewing my images back at home, I picked this image as one of my favorites.  I processed it in B&W and was able to capture the B&W image that I had previously set in my mind. The following is the B&W version.

130321_Titus Canyon-BW by Karl Graf.

These images are not creative.  However, for me they represent a step in the learning process of seeing and thinking in B&W.

 

 

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Mesquite Dunes #2

130318_MesquiteDunes2 by Karl G. Graf. This was my second try in the Mesquite Dunes.  A few of us got up early to catch the sunrise highlight the dunes while the others caught up on their sleep.  As the sun broke the horizon it cast soft shadows and warm highlights.  The contrast was very subtle.  This morning was a learning experience for me.  My objective was to see the contrasting shapes and lines, not necessarily capture that one great image.  Chuck Kimmerle gave us a few very good starting point insights, then took off over the dunes.  I followed his footsteps across the valleys and ridges, watching were he stopped shuffled around, put his tripod down (or not), then racing off to the next stop.  At these stopping points, I took my time looking around trying to pick out something that peaked my interest. Sometimes an image appeared, sometimes it didn’t.  It was a great morning just to be out and enjoy a wonderful landscape.

 

 

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Mesquite Dunes

130316_DV_MesquiteDunes_1a

Where to start … the grand vista?, shapes?, colors?, details?, shadows? … too many choices!!!  As soon as I walked into Mesquite Dunes, my eyes and mind shot around in every direction.  There were just too many opportunities and a very narrow window to capture the light of the setting sun.  I quickly dropped behind our workshop group as I saw one thing after another.  I went after it all!  When I reviewed my images, I was pretty disappointed.  I ended up with a lot of “snapshots”.  Lesson learned here … don’t be greedy, let the image come to me.  Be patient, let my eyes and mind wander … the image will come.

This was one of the few images that did “call out”  I saw it in the distance and walked around several minutes before I found a perspective that “clicked” for me.  The curve shadow and bright highlights on the ridge separated the dune from the distant mountains.

 

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