Tag Archives: Tiles

Fonthill: Breakfast Room – Floral Brocade & Architectural Molding Tiles

Breakfast Room Mirrors by Karl Graf. Architectural Molding Tiles Encase Breakfast Room Mirrors

Wandering through the Gallery a set of stairs leads up to the Breakfast Room.  The Breakfast Room displays two different types of Mercer tiles.  The mirror is framed with Mercer’s Architectural Molding Tiles.  Similar tiles are used throughout the Castle to frame Mercer’s historical tiles as well as frame windows and other architectural elements.

Breakfast Room Mosaic by Karl Graf. Floral Brocade Tiles on Russian Fireplace

A Floral Brocade Mosaic covers the Russian Fireplace on the opposite side of the room.  Multiple examples of Floral Brocade Mosaics are displayed throughout Fonthill.  Another example in the Castle entryway was shown on my 14 November post.

 

 

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Fonthill: Gallery – The Four Seasons

141125_Gallery 4 Seasons by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 17mm, f/11, 1.3 sec, ISO 400

Going through the Alcove Doors one enters the Four Seasons Gallery.  These mosaics were the last tiles to be installed in Fonthill before Henry Mercer’s death.  Each mosaic was to depict one of the four seasons.  Mercer was only able to complete two seasons of the four seasons.  These two mosaics were designed as a pair.  Each mosaic has 12 segments.  Eight of the segments depict farm life during the specific season.  The other 4 depict different elements of the season; birds, flowers etc.  The designs of the tiles are unique in that they are flat, placed and raised against the concrete background.  These are the only examples of this style.  Below are different aspects of the two mosaics.

141125_Gallery Summer by Karl Graf. Four Seasons:  Summer

141125_Gallery Fall by Karl Graf. Four Seasons:  Autumn

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Fonthill: Alcove – Arabic Tiles

141124_Alcove_Arabic Tiles by Karl Graf. Canon 5D MarkIII, EF17-40mm f/4L @ 17mm, f/11, ISO 400 HDR

As a visitor climbs the stairs from the Saloon to the second floor they first enter a small alcove area overlooking the Saloon.  Tucked up above the Alcove doors are two Arabic Tile Murals.  The second mural is shown below.  It is said that one of the mural segments is installed upside down … can you pick which one.  To achieve an acceptable exposure of the tile murals hidden in dark shadows and not blow out the light coming in from the Alcove doors I combined 5 different exposures into a HDR image.

141124_Alcove_Arabic Tiles2 by Karl Graf.

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Fonthill: Morning Room – Italian Brocade Fireplace

Morning Room Fireplace by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 22mm, f/8.0, 0.3 sec, ISO 400

This dramatic fireplace dominates Mercer’s Morning Room.  The room faces North.  Light enters the room in the morning from the floor to ceiling windows on the left and from the right during the afternoon.  It is a very bright room throughout the day.  This fireplace is my favorite in Fonthill.  The Italian Brocade design is from a 16th century Sicilian tapestry.  Below is a detail of the design.

Morning Room Fireplace by Karl Graf. Italian Brocade design on Morning Room Fireplace

Elements of the design are separate tiles and can be used interchangeably to create various designs.  Compare this design with the design of the Italian Brocade in the Fonthill Entryway below.

141123_Entryway Italian Brocade by Karl Graf. Italian Brocade in Entryway Mosaic

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Fonthill: Morning Room Hallway – Delft Tiles

141122_Morning Room Hallway by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 17mm, f/8, ISO 400, HDR

Come on in through this narrow hallway from the Saloon to the Morning Room.  Again there are tiles everywhere.  Delft tiles cover the hallway walls and nooks and crannies.  The hallway is very dark.  HDR processing of 5 images was needed to capture the light exposure of the hallway entry to the almost black deep shadow of the Morning Room doorway seen in the very back of the image.  Below are a close up of the hallway wall tiles and a small v-nook in the back of the hallway.  There was hardly enough room to get me and my tripod/camera in the hall to take the image.  I wish I was as thin and flexible as in my younger days.

141122_Morning Room Hallway3 by Karl Graf.

Delft tiles in Morning Room Hallway Nook

141122_Morning Room Hallway2 by Karl Graf.

Delft tiles in Morning Room Hallway

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Fonthill: Saloon Floor Tiles

 

 

Saloon Floor Tiles by Karl Graf. Canon 5D MkIII, EF24-70 f/2.8L @ 46mm, f/6.3, 1/6 sec, ISO 200

There are tiles everywhere, on the walls, on the fireplaces, on the window cells, on the columns on the ceilings … and on the floor.  Most people just walk over these tiles on the floor not paying any attention to them.  They are worth exploring by themselves.

More to follow …

Saloon Floor Tiles by Karl Graf. Saloon Floor Tiles by Karl Graf. Saloon Floor Tiles by Karl Graf. Saloon Floor Tiles by Karl Graf.

 

Tomorrow we will start walking toward the Morning Room

 

 

 

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Fonthill: Saloon – Fireplace Mural

Saloon Fireplace by Karl Graf. “The Rich Man and Lazarus Brocade Mural”

 Canon 5D MkIII, EF17-40 f/4L @ 17mm, f/8.0, 0.5 sec, ISO 400

“The Rich Man and Lazarus” is an example of Mercer’s Bible series brocade relief designs.  This unique mural was designed specifically for the hood of the main fireplace in the Saloon.  It is a single piece design as opposed to the segmented scenes present in Mercer’s other brocade stories.  The details and colors are exquisite.  The characters are from antique stove plates as described in a previous post.

The image below is the side panel of the main fireplace.

141120_Saloon Main Fireplace Side Mural by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 23mm, f/11, 1/100 sec, ISO 400

This image is a composite of two photos, one exposed for the tiles and one exposed fro the exterior trees outside the window.  They were blended together in Photoshop.

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Fonthill: Saloon – Cuneiform Tablets

141119_Saloon Cuneiform Column by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 23mm, f/8, ISO 200 HDR, Multiple Image

Mercer’s most valuable foreign tiles are Cuneiform Tablets.  Some of these date back to 2300 BC.  Mercer mounted these tablets surrounded by his tiles on one column in the Saloon.  It is a fascinating display.  This image had over 10 levels of dynamic range.  It is a combination of a 5 image HDR blended together with multiple single images to capture the bright exterior and the tiles in the shadowed foreground.

Below is a close-up of one of the oldest tiles dated around 2300 BC.

Saloon Cuniform Tile by Karl Graf.

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Fonthill: Saloon – Delft Tiles

141118_Delft Tiles by Karl Graf. Canon 5D MkIII, EF17-40mm f/4L @ 23mm, f/8.0, 1/8 sec, ISO 200

Along with his own tiles, Mercer collect tiles from around the world.  The above image is from a display in the Saloon of Delft Tiles from the 1600’s.

The origin of the Dutch Delft Tiles began in Egypt with Arabic (Islamic) themes and designs.  As Islam expanded to North Africa and Moorish Spain in the 4th – 6th century, so did the art and ceramic tiles.  The Alhambra in Spain is covered with such tiles.  Antwerp, Holland was a major seaport and trading center in the 15th and 16th centuries.  In 1585, during the Eighty Years War, Antwerp was taken by the Spaniards. Trade came to stand still, freedom of religion was put to an end. This resulted in many tradesmen going abroad. Among them were the potters, who left for England, Germany and the Northern-Netherlands.  This was the basis for the Dutch Delft Tiles.

Below is a display, also in the Saloon, of Delft tiles in the mid 18th century.  Notice how the designs have evolved to Northern European motifs.

Saloon Delft Tiles by Karl Graf.

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Fonthill: Library – Reference Stove Plate

141117_Library Stove Plate by Karl Graf. Canon 5DMkIII, EF24-70mm f2.8L @ 51mm, f/7.1, 0.8 sec, ISO 200

Many of Mercer’s tiles were inspired or taken directly from old cast iron stove plates like this one located in the Library Fireplace.  Impressions were made from the figures and designs.  Pay attention to the woman pouring liquid into an urn in the right-center part of the plate.  See something familiar in the tile below located on the Russian Fireplace in the Saloon.

141117_Saloon Russian Fireplace Scene by Karl Graf. Tile on the Russian Fireplace in the Saloon

Also notice other similar figures of people, urns, border patterns and so on.  As in any design, it is great to have a starting point.  The Castle is full of such tile scenes.  I really enjoy looking at the different stove plates on display and trying to find the designs replicated somewhere in the tiles.  It’s a little like playing hide and seek.

Tomorrow I will move into the Saloon.

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